Tuesday, 3 December 2013

Kintsugi and Real Estate Advertising


Two and a half years ago my childhood home was sold in order to pay for my mother’s care. My mother had lived there for 60 years, 27 of those years on her own. It was a humble enough house in a convenient location with a large parcel of land that had been home to five boisterous children and some of the nicest trees I have ever known.

The house I live in now was also on a beautiful botanic property looked after by a widow with 3 children. While we were building our present property I spent some weeks living in my mother’s already sold house as a stop gap measure between an expired lease and completion of our new home. The house was in a poor state of repair with dreary weather coming in from all sides and didn’t contribute much to my highly stressed state and it was difficult to remember joyful times there. It was a ghost of itself with much of the familiar furniture long gone or the rooms that should have had some nostalgic hold, reeking of dampness and cluttered with half heartedly packed boxes and bags. There was still a stack of the real estate agents glossy advertising brochures sitting on a chair when we arrived, barely disturbed by the paucity of buyers. After taking one for posterity and fuming about the ridiculous waste on such pompous advertising for the little house, I set about trying to amuse myself and make something with the posters.
One of my main drives was the dream of finally living in our new home but to me it would not be a home without a garden and so I set about preparing plants for the coming springtime.
 I had bags of tulip bulbs as well as ranunculus and anemones, jonquils and daffodils which I had bought weeks before, believing I would be planting straight into the new garden. With a bit of research I found out how to make origami boxes and spent hours turning those posters into temporary planter boxes.
 
I snipped cuttings from Mum’s neglected and depleted garden and poked these into the boxes as well. There was little point in being inside because there was no heating, I had no studio space or things to work with and no company and the smell of fungus and damp was quite overwhelming. And in truth most of my life at this house had been outside.
Outside in the old places of my childhood I could remember the history of the garden as it had changed over our lifetimes. Metre by metre I could remember the planting or flowering of each of Mum’s plants. The place where our twin gums (our Namatjira gums) had been and then replaced by the sleep out, the place where the clothesline had been with its burden of bed linen laboriously washed in the Hoover Wringer machine and lugged out, and hauled by my exhausted mother to swing in the breeze and tempt our fox terrier. I could map the garden by plant names as I walked around it, even though many of those plants had long since gone.  My memory went back further than my younger brother’s but not as far as my older brother’s but the history had been shared and amalgamated. The names formed a chant in my mind as each day I wandered and more of the images emerged. I have a song line for my home and now that my home is gone, that means nothing to anybody. I understand the devastation we have committed our aboriginal people to.
 
I have been reading about Kintsugi and The Tea Ceremony, prompted by a blog I love, Art For Housewives. Kintsugi is the repair of broken ceramics using a type of lacquer mixed with gold dust to accentuate the damage and repair of an object thereby imbuing it with history and character. In the Tea Ceremony a type of song line developed over centuries as these highly valued objects passed down through families with much of their history manually or orally recorded.

I 'd love to give credit for these images but they were already second hand when I found them.

Many years ago I read a book by Heide artist Neil Douglas and his partner Abbie Heathcote

The Book of Earthly Delights: Living in the Bush with Neil Douglas and Abbie Heathcote

 in which he was laughing about the tenacity of old plants in a redevelopment. No matter how hard the new owners worked on that garden the old plants kept springing up through their well planned landscape. My new garden is a combination of memory and new hope. Mum’s garden (including some of Grandma’s plants), my contribution and our previous property owner, Lurline’s, garden. I rescued as many of her plants as I could before the demolition
and replanted them in my new landscape so my garden is a comfortable mixture of old and new and nostalgia. And those tenacious poppies of Lurline’s defy discipline springing up in the middle of pathways and reminding me that this place had a history before me.


 
 
 
 
Lurline's 60 year old hardwood floorboards came up a treat and blend beautifully with modern décor.
 
And why am I prompted to write about all of this now? Well digging in my garden recently I was surprised to see my old home float past me on a film of polyester. The origami boxes which had housed all my bulbs have disintegrated long ago except for the plastic coating on the paper!
With Melbourne in a property frenzy for the last 5 years these A3 glossy pamphlets are being printed in the millions and dumped in equal numbers into our landfill. It is just one tiny part of our destructive human nature. We must start to understand that the things that are persisting in our lives are not the landscapes that have taken decades of love and labour to produce but inappropriately produced items that serve no use and seduce our vanity, boredom or laziness.
What is it you want your children to remember and pass onto their children? Do you want them to live on a property of landfill in which they poke a spade into soil only to discover one of their own disposable nappies from 40 or 50 years before?
Our forebears came to this country as ignorant clots, hell bent on recreating England and too terrified of their surrounds to appreciate the innate beauty, but over time, their  laboriously created new   landscape,  with its European mementoes, has blended with the original(not much left) to create a beautiful conglomerate mosaic. It is worth preserving and building on to create complex beauty and history instead of ripping up and disposing of the past like toilet paper.
I hope some of Mum’s old plants rise up a create havoc with that bland lawn around the McMansion which supplanted our house.
 
 

Monday, 25 November 2013

Deja Poo and We Have Seen All This Crap Before

An Instagram short film
 
There’s nothing new under the sun I was told when studying ceramics. A bowl is a bowl is a bowl. So there should be no need for status envy among artists. With the internet any new idea is quickly consumed by Korean or Chinese manufacturing markets and spat back at us as the new thing.
 
This year everyone is taken by pastel coloured cups and saucers in old kitchen configurations and as ceramic artists we can all produce that style if we want and if the market demands it. There are some who are more technically proficient at consistent production and I admire them for it and for their dedication to glaze development and clay research to produce a good product. They deserve success. Jumping on the band wagon to produce the latest style is a soul destroying enterprise because there will always be the masters and then endless look alikes all undercut by mass produced product from Asia.
 
Recently I held a sale at my studio and I put out an array of objects that ranged from what I thought the market wanted to some of my treasures that I have held onto for several years in my studio. I held my breath as some of my favourite objects were picked up and caressed and replaced on shelves and part of me sighed with relief that they were going to stay with me longer, until the buyers returned and gathered them up.
 
 
 
At the bottom of the price range I disposed of smaller items which were test samples for glazes or foot styles, or miniature dimensions of bigger forms. They were what I would refer to as my thinking process. Objects which have been in the studio and handled hundreds of times as I mull over whether the glaze feels nice or should be on an interior or exterior, whether it can take colour additions, whether the colour survived a firing etc. These objects were picked over just as fastidiously and my favourites all went for coin. So even at the bargain end people are making aesthetic decisions and recognizing a creative thought process that they want to connect to.  It was gratifying to watch people who had the time to circulate and connect one piece with another and juxtapose disparate pieces to create a new aesthetic for themselves.
All my years of teaching were about helping children to know that they had all the resources they needed for a great life within themselves. The greatest of these resources was imagination and the other was synthesis. Big corporate entities work overtime to stamp this out of us. Billions are spent on campaigns to make us fearful of being different, and at the same time urging us to buy “unique” and prestigious purchases as seen on the big screen and associated with luxury and fame. By creating envy of the luxury classes a viral fever can be promoted that unsettles the human heart and fills us with insecurity
Facebook feeds into this fever with its instruction to “be the first to like this”. Huh? What for?
Being the first to like something or own something is part of the consumer virus that feeds the throw away society. Because just as soon as you have finished paying it off and all those to whom you have passed on the envy virus have propagated and copied you, what you have is no longer unique and you need to throw it away, just in case people think you are copying!
So I have decided that my next year’s work is not going to be about catering to anyone’s taste but my own. There will be less work but with the aim of more exploration. No mass production for me.
The world is divided into two groups those who want to be uniquely the same as everyone else and those who just don’t fit in. I am going to design for the second group. They are my favourite sort of people. The odd bods, the crackpots, the cranky ones, the ones with the most interesting minds. They are the ones who fill me up.
 
 





















http://vimeo.com/79207239

Monday, 11 November 2013

Gozer and Forward Movement


Back in March I started this blog after winning an award at Warranwood Art Show from one of the sponsors, Gozer. Thanks Gozer! It was encouraging and inspirational in my little world to receive some tiny recognition.
In my upbringing, windfalls were few and far between, so I always wanted to convert them into something memorable or significant. There was one occasion, where I remember this thinking first began. My brother had a winning ticket in the Grey Sisters charity raffle and won a 2 metre Christmas stocking which was delivered to our house on a trailer. It was wrapped in orange mesh and bulging with gaudy gifts and a toxic assortment of sugary treats. We had collectively never even conceived of something so magical in our fantasy filled lives.



Technically it was Tom’s ticket that won but since none of us actually had any money to buy tickets and were unaware that any were bought on our behalf it was an uncomfortable boast for him. It seemed the monstrosity of greedy indulgence sat in our back room (leaned at an awkward angle to fit under the low ceiling) for only a couple of days, and was the subject of much late night parental discourse and during the daylight hours kept us children occupied with much selfish squabbling and “baggsing “of items under the mesh.

Eventually superstition won over, and our mother convinced us that it was unhealthy for us to have such an object in our midst and to create envy amongst all the neighbours so we were to choose one object each and the rest would be shared with the children at...wherever! The frenzied panic of making a single choice began and somehow nothing looked quite as beautiful or substantial on closer scrutiny. Our choices were final and I cannot for the life of me remember what I chose because I was still full of envy about everybody else’s choices and their wonderful sense of discernment. I remember being enchanted by the plastic holly so maybe that was what I chose!
A few days later our annual Christmas card from Grandma came and we all got the same thing-$1.00.

 
It was a much anticipated dollar and in my little head it had been spent a million times and grown to epic proportions. I had saved all the children in Africa, I had bought a tin of 72 Derwents and I had still had enough to buy the most economical selection of lollies at the milk bar with a few coins over to tide me through to next Christmas and Grandma’s  next dollar. The dollar was so much more valued than the gaudy stocking because it was in a dimension equivalent with my imagination and allowed my imagination to grow with it. I did manage to eke it out for the summer and spare a coin for the collection plate at church and then reverted back to world of fantasy and empty pockets in a world of wild fruit trees.
The Gozer prize was just the right size to say “Someone believes in you this time so make that grow.”
 I have taken the responsibility of a prize and converted it into a year of growing. This blog has now reached nearly 60 postings. Some people read it and I send a special thank you to all the Latvian robots that register on my stats!

I have had to learn to manipulate images and connect links. I have developed a facebook page for my ceramics, designed and developed a business card, connected with other bloggers and artists around the world.
My image manipulation skills have developed slowly but consistently, and are helping me breathe new life into a passion I have held since childhood -that of creating images.

 
 I put a wish out there earlier to collaborate with someone, and 2weeks ago I collaborated in a small way to help the children of Africa to get some education, by holding a sale of ceramics with my friend Rosy who is going to climb Mt Kilimanjaro to raise funds for UNICEF.
Another little collaboration is coming to fruition this week in the release of merchandise for Opera Australia’s Ring Cycle produced by Ingrid Tufts and carrying some of my little images.

There have been ups and down and flat, flat feelings but there has been forward movement that is shaping itself slowly out of the great big cloud of imagination out there.
Maybe tomorrow the next tiny step in my plan will bear fruit.